David by Michelangelo

David by Michelangelo
David by Michelangelo is not Augustin

11 April 2014

Director's Journal Week 7

     After the presentation, we have received a lot of comments and suggestions.

     We appreciate them and we have found some ways to improve them.

      For the lighting of the video, I was asked to do research on three point lighting.

     Three-point lighting is a standard method used in visual media such as video, film, still photography and computer-generated imagery. It is a simple but versatile system which forms the basis of most lighting. The goal of three point lighting is to create the illusion of a three-dimensional subject in a two-dimensional image. While you can create dimension a number of different ways, there’s no doubt that using light and shadow is a powerful way to accomplish this, and three point lighting is the lighting technique most commonly used.


The technique uses three lights called the key light, fill light and back light. Naturally you will need three lights to utilize the technique fully, but the principles are still important even if you only use one or two lights. As a rule:

  •         If you only have one light, it becomes the key.
  •         If you have 2 lights, one is the key and the other is either the fill or the backlight.


      The Key Light is the main light used on the subject. It is usually the strongest and has the most influence on the look of the scene. It is placed to one side of the camera/subject so that this side is well lit and the other side has some shadow.

      The Fill Light is used to fill in the shadows created by the key light, preventing them from getting too dark. This is the secondary light and is placed on the opposite side of the key light. The fill will usually be softer and less bright than the key. To acheive this, you could move the light further away or use some spun. You might also want to set the fill light to more of a flood than the key.

      The Back Light is used to separate the subject from the background. The back light is placed behind the subject and lights it from the rear. Rather than providing direct lighting (like the key and fill), its purpose is to provide definition and subtle highlights around the subject's outlines. This helps separate the subject from the background and provide a three-dimensional look.

The basic procedure is as follows:

1.  Start in darkness. Make sure there are no default lights, and there's no global ambience. When you add your first light, there should be no other light in the scene.

2.  Add the key light, to create the subject's main illumination, and to define the most visible lighting and shadows.

3.  Set the fill light to illuminate shadowed areas and to soften and extend the illumination provided by the key light.

4.  Set a backlight to create a bright line around the edge of the object and to separate the subject from the background.


Below are links for further reading:

http://www.nikonusa.com/en/Learn-And-Explore/Article/hojlp4dt/introduction-to-three-point-lighting-other-video-lighting-techniques.html

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